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How do you rate Shakespeare alongside Standup alongside Dance alongside Improv? Our answer - rate them by entertainment value! All Fringe reviews on this page are graded out of five stars, with entertainment being the primary focus. Enjoy! Anything five stars is a MUST BOOKQuick Links to Reviews: Rubber will be your Fringe highlight. This is one dark piece of immersive theatre. It's a performance for two; you get into the back seats of a car with a driver, who is waiting for his girlfriend. Once she's inside, the car pulls out and heads towards pre- arranged meeting spots. The driver is pimping out his girlfriend, and you're in the back seat watching this unfold. It's raw and tragic, and based on true events. We stop in a housing estate first, then progress to a full service appointment. It's all very menacing as you drive around town, with pedestrians and other cars unaware of what's happening in front of you. The family restaurant no longer looks so wholesome. And none of this ends well. And why don't people in the real world react when they see a woman being bashed up (we knew it was theatre, but they didn't!). What's clear is that the production company has something that brings the daily lives of sex workers into the open. And sadly, very little can be done in the UK to address the balance of power. Rubber is chilling and absolutely essential to partake in. Venue: Cabaret Bar @ ZOO Southside. Group: Pentire St Productions. The Moscow Boys is an hour of violin and dance, and while it starts of as upbeat chamber music (trying at best), it progresses to a crowd pleasing production with catchy tunes, rollerblading, audience involvement and a lot of moving around on chairs. This is not your standard musical performance - there is a lot of choreography and scenes. The violin does get repetitive, and moments of magic are all too brief - all in all it seems the best 2. If there was more audience involvement throughout, then the production would be more engaging. This is otherwise a safe, enjoyable show - something for the family to enjoy, but also switch off to. Enjoyable as a distraction. Venue: Zoo Southside. Group: The Independent Theatre Project in association with Aurora Nova. Circleville, Circlevalley Review. Circleville, Circlevalley is a dark piece, broken people working with a drama therapist in the hope of restoring normality and function in weekly (and finite) group therapy sessions. We meet a woman living on the edge who escapes to the moon in her dreams. Another woman has lost her husband and isn't coping, and one man has lost his purpose and confidence all in one day. This is perfectly timed for 1. We see their techniques and routines, but it doesn't convince us. There are no good vibes in this production, just personal tragedy unfolding in slow motion. Very highly recommended. What's clear is that this isn't a family show (although parents did bring their children to our performance, perhaps failing to read the description in too much detail beforehand), yet it's a show with otherwise wide appeal. As an original musical writing by a young adult production company, it does deserve a lot of credit. Overall it's an oddball plot with an ambitious cast of five, plus three musicians, pushing together a message of hope and love. While the story is limited and never really goes too deep, it's the quality of the music, singing and acting that really sets it apart from other import- a- score musicals at the Fringe. This won't change your life, but it will entertain you, and is definitely worthy of a full house. No One Came Review. They Built It. No One Came is a masterpiece of theatre, inspired by the story of Michael Colby and Donald Graves who built a commune for people who share their values, but in the end no one came. Based on the New York Times article of the same name, this new Australian/English theatre company combines musical comedy and a well written script to deliver a very sombre story. Two men leave the comforts of the big city and live in 1. When Pablo, a disenfranchised student comes to stay, things take a new direction. Adding anything more would spoil the story. While the commune exists today, online in the form of a retreat, it's the subtext of the two founders that is most confronting. This is a very slick production and a complete must- see. Venue: Pleasance Courtyard (Venue 3. Group: Fledgling Theatre Company. Save + Quit . The first concerns a newly qualified teacher buying an Xbox from a young man who has lost his father, the second story takes place in Ireland. That's as much detail as we can give on the Irish story - it made no sense to us, but that doesn't mean we didn't like its telling! And about eight Irish in the audience were sobbing at the end, stating it was all too real and emotional. The Xbox story is very disarming and genuine, and worthy of our star rating alone. If you're Irish, Save + Quit is most likely made for you. Venue: Four @ Assembly George Square Studios. Group: Hairpin Productions. Tank has received a LOT of hype this Fringe, so we went to see what all the sell- outs were about. In a story about a young school leaver who joins a Kennedy- backed program to teach dolphins to speak English, we're submerged into the daily activities of their 1. Will Jack, the dolphin, learn to repeat basic words, or do his immediate primal needs overpower a willingness to learn? Will his trainer find a common ground with the dolphins and incubate love and understanding? A lot of dancing, dialogue and video projections finally get us an answer. If you're familiar with the Nim Chimpsky program, this is a marine equivalent. Enjoyable more perhaps if you have an interest in zoology. Venue: Jack. Dome @ Pleasance Dome. Group: Breach. And if we accept that this is true, is there anything wrong with that? Katie Bonna has put together a work that addresses the lies we tell (“I'm five minutes away”, “I completely forgot”, “you don't look fat in that”) and why we tell them. A critical focus is on the fallout from the affair her father had on her mother, but equally the lies told and the power and magnitude of those lies and the rationale behind them. This may be self- indulgent and affected, but it is refreshingly honest and applicable to every one of us. While the audience involvement scenes (Kelis, water guns, booing) are probably best cut as the message can be better told without them, All the Things I Lied About is an ambitious production that dissects lying and how it really is a part of our daily life.! Having recently played in Broadway to critical acclaim, Edinburgh is very lucky to get a month run of this Tennessee Williams classic. The play focuses on two siblings (Tom and Laura, played by the excellent Kate O’Flynn) and their nagging mother (Amanda, played by Broadway legend Cherry Jones). Basically the play can be summed up with a line from the first half - what will become of us. The plot focuses on the need for . But the likelihood of this is strained given her nature as a social recluse, wracked with anxiety and living a routine nervously attending to housework by day and, most depressingly, cleaning her glass animal figures by night. In the second half we do get one male caller, perhaps giving hope to the otherwise depressed situation. It’s a near- perfect play, with a excellent casting. While this is no fringe production - audiences will appreciate the set and oil/water reflective stage. A must see and a great break away from the back- to- back fringe lineup. Denton and Me brings the Summer Hall’s Anatomy room to life in this engaging account of the life of Denton Welch and his search for love in the 1. Told by Sam Rowe, we hear extracts from the life of Denton in Greenwich mixed with stories from the life of the author in modern day Soho, with the apparatus of romance progressing from random chance to application randoms. This production is very easy to like - we are engaged in the life and aspirations of Denton all while relating to the narrator's own stories of unreturned text messages and flaky romances, and the quest for friendship. The investment needed to get this mashing of narratives right is significant, and it delivers. We were held by it, and the production is very worthy of an hour spent. Performed in the beautiful (travelling) Roundabout @ Summerhall venue, three talented actors play the role of ten characters in this story about a young man ignoring a bad “lump” for seemingly years before doing something about it. What starts off at a man on his last warning at a garden centre develops into a story every audience member will invest their emotions in. The production works hard to introduce us to the idea that something bad can lead to something good, in that positives change in behaviour and habits follow a bad situation. Growth is empowering and yet remains unobtrusive. A scene at the cancer meetup group is particularly brutal and highlights the narcissism of youth and ignorance. In summary, this is a play you don't want to miss. What starts off as a naked girl being chased around wine barrels progresses to a wine making set to a musical score, with cello, fiddle and drumming, a wedding, a coup and a harvest. This is an hour spent well, even if you may have no idea what you just saw after it finishes. In the Wine is a journey, and one worth taking. Our tip: after the show, there is a wine tasting with the cast in the bar next door included in the ticket. Three organic wines (two whites, one red) are on offer and they're New Zealand splendors from Urlar Estate NZ, a boutique kiwi winery. Generous New Zealand pours await. Set in the lovely Scala, slightly out of the main drag, the UK's finest stage acrobats delight for an hour with a new interpretation of the Chinese pole. The use of white sand, rotation and weightlessness delight and the 6. It really is like being lost in a dream, gazing up and falling back to sleep again. If you see one show this year, see this one. It really is fantastic. You'll enjoy it 1.
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